Reawakening Polish Prewar Urban Music

Late last year I had the opportunity to immerse myself in the atmosphere of Lviv’s interwar music scene at a live performance of a young band from Warsaw, which plays famous tunes from Poland’s 1920-1930s musical heritage.

Warszawska Orkiestra Sentymentalna (Warsaw Sentimental Orchestra) comprises a group of young musicians united by their passion for urban folklore. They play familiar and forgotten dance melodies as well as more sentimental tunes for singing and listening. Their repertoir includes songs from prewar theaters, courtyard ballads and couplets from interwar Warsaw and Lviv. The also play compositions by modern artists inspired by urban folklore and traditional Polish melodies, and enliven dance parties with their lively polkas and foxtrots, sultry tangos, and romantic waltzes.

The orchestra reaches to the roots of the Polish prewar music scene and continues the tradition of revue performaces, maintaining the timeless charm of these songs while adding their own contemporary touch.
“Reawakening Polish cabaret and revue music from the 1920-30 period. The Warsaw Sentimental Orchestra perform the Repertoire of Adam Aston, Wiera Gran, Mieczyslaw Fogg and many other artists of that time. Peresrving the timelessness of this music. WSO adds their own artistic sensitivity and takes You on a sentimental journey.”
 

8 thoughts on “Prewar Painted Stripes in Lviv

  1. Thank you Areta for another important and timely blog post on the challenges and issues of Jewish heritage and recovery of memory. We are hopeful that soon the headstones used as basement steps in a courtyard in Lviv (Hałycka Płoszcza 15 / Galitskaya 15) will be recovered. The Lviv Volunteer Center is working behind the scenes to make this happen, with the support of the Lviv Jewish community and others.

  2. This is the part that blows my mind: “During periods of transition, the records occasionally show the use or mix of two languages—Church Slavonic and Latin, or Latin and Ukrainian…”
    SO COOL!
    Thanks, Areta!

  3. > The largest and best-preserved fragment of Lviv’s medieval defense structures is the Hlyniany Gate (1618)

    Areta, Hlyniany Gate and wall around it have been renovated.

    There used to be some residential building in its place (behind the now-demolished fire station in the foreground)
    https://lh3.googleusercontent.com/-N3g4hWC9YuQ/TbF5heED-OI/AAAAAAAAE2o/r66p5JhJ9iMx0UWnvU7y4dyC_M14zc8XwCCoYBhgL/s0/mit-001.jpg

    Building, close-up
    https://audiovis.nac.gov.pl/i/PIC/PIC_2-8519.jpg

    The wall looked like this
    https://audiovis.nac.gov.pl/i/PIC/PIC_1-U-3615.jpg

  4. Any idea what the Yiddish is on the hat sign on the right? I can make out most of the letters, but my Yiddish isn’t good enough to fill in the blanks. I used to pass by that wall frequently on my way to a friends house, but he has moved since then. It’s still my favorite ghost sign, though 🙂

  5. Kudos to you, Aretha. I came across your blog from a repost from one of your diaspora Ukrainian language from Pre-war Galicia words versus accepted and widely used Post-war words for a long list of foods. I too grew up in the diaspora in Cleveland. I was in Lviv in November of this soon to be last year. Although Lviv is my Dad’s ancestral city, I had family from Central Ukraine and grew up hearing both dialects. I think the blog was from 2014 or 2015. I wanted to leave a comment on your new blog and commend you for the interesting sociolinguistic and cultural discussions you have initiated. Nice to see that you are now in the field doing your research first-hand.

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