Supporting the Beauty of Facades: Lviv’s Blind Balustrades

The blind balustrade, like the blind window, is an element of architecture that has an aesthetic rather than utilitarian function. Instead of forming the protective edge of a balcony or of a change of level, blind balustrades are applied to the wall surface to add ornamentation to the façade or to keep uniformity with real balconies or balustrated windows.

The balustrade with classical balusters, the small bulbous vase-shaped pillar supports, first appeared in Italian Renaissance architecture, as did the “blind” variant. Both variants remained popular in many architectural styles throughout the centuries. The shape of the pillars themselves changed according to the architectural style in which they were used. 

In Lviv, blind balustrades are very popular in Historicism (neo-Baroque, neo-Renaissance, neo-Gothic), and are also found in Baroque-inspired Secession as well as neo-Classicism/Art Deco.

They are ubiquitous in cities around the world. Once you first notice them, you start seeing them everywhere (the frequency illusion). Indeed, in the historic center of Lviv itself it seems as if every other building features it.

Vase-Shaped Balusters

Vase-shaped balusters were used especially in Baroque and neo-Baroque architecture.

Former Collegium of Piarists, Baroque with elements of Classicism, 1762–1776
Lviv City Hall, Classicism, 1827–1835, renovated 1849–1851
Opera House, Historicism / “Viennese Neo-Renaissance,” 1897-1900
Former Industrial Museum, Late Historicism (Neo-Renaissance), 1898-1904
Neo-Renaissance, 1876
French Baroque Classicism, 1880-1889
Neo-Renaissance (above and two below)
Secession/Neo-Baroque

Neo-Classicism / Art Deco Variations

Neo-Classicism / Art Deco, 1924
Art Deco / Neo-Classicism, 1927

Neo-Gothic Variations

Secession / Neo-Gothic, 1909

Minimalistic Variations

Art Deco

Oval Carved Balusters

Another widespread style of Baroque balustrades found as blind balustrades. Found on Neo-Baroque and Neo-Classical buildings in Lviv.

Two kinds of balusters

By Areta Kovalska

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